{"product_id":"transformationen-der-antike-bei-raffael-und-seinem-umkreis-concetti-anticamente-moderni-e-modernamente-antichi-in-der-sala-di-costantino-hardcover","title":"Transformationen Der Antike Bei Raffael Und Seinem Umkreis: Concetti Anticamente Moderni E Modernamente Antichi in Der Sala Di Costantino - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMichail Chatzidakis\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe murals of the \u003cem\u003eBattle of the Milvian Bridge\u003c\/em\u003e and the \u003cem\u003eVision of the Cross\u003c\/em\u003e in the \u003cem\u003eSala di Costantino\u003c\/em\u003e in the Vatican, named after the fresco-cycle conceived by Raphael and executed by Giulio Romano, are regarded by scholars as originating from an intense study of antiquity in Raphael's circle, followed by a desire to achieve an historically accurate approach to ancient art. However, Raphael was recognised already by Giorgio Vasari, Ludovico Dolce and Annibale Carracci, not only for his expertise on antiquity, but also for his poetic qualities as an outstanding history painter. Based on the motto \u003cem\u003eanticamente moderno e modernamente antico\u003c\/em\u003e, with which Pietro Aretino describes Giulio Romano's ideal synthesis of ancient and contemporary art, Michail Chatzidakis analyses the difference between historical and poetic methods of representation in order to determine more precisely the relationship between archaeological precision and poetic creativity in the work of Raphael and his circle in the \u003cem\u003eSala di Costantino\u003c\/em\u003e.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cstrong\u003eMichail Chatzidakis\u003c\/strong\u003e is a research associate and lecturer at the Institute for Art and Visual History, Humboldt University Berlin. After studying art history, history, philology and archaeology in Rethymnon and Berlin, where he also worked on the \u003cem\u003eCensus of Antique Works of Art and Architecture\u003c\/em\u003e project, and scholarship stays in Florence (KHI) and London (Warburg Institute), he completed a doctorate at Humboldt University (2012). From 2013-2016 and 2017-2020 respectively, he was a research associate in the DFG projects \u003cem\u003eKnowledge and Imagination - Pictorial Transformations of Roman History(ies) in the Italian Renaissance\u003c\/em\u003e, and \u003cem\u003ePictorial Criticism and Pragmatic Pictorial Culture in the European Middle Ages: The Libri Carolini and Carolingian Pictorial Art\u003c\/em\u003e, both at Humboldt University Berlin. He currently holds a position as a research assistant in the DFG project \u003cem\u003eIconophilia, Image Criticism, ornamenta ecclesiae: Papal Concepts of Pragmatic Image, Object and Ornament Culture, 600-900\u003c\/em\u003e. \u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 416\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.5 x 6.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 11, 2026\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":48376059035869,"sku":"9783422801059","price":97.18,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/9867\/8237\/files\/7yKvMqyfGu9783422801059.webp?v=1786786675","url":"https:\/\/handfulofbooks.com\/products\/transformationen-der-antike-bei-raffael-und-seinem-umkreis-concetti-anticamente-moderni-e-modernamente-antichi-in-der-sala-di-costantino-hardcover","provider":"Handful of Books","version":"1.0","type":"link"}