{"product_id":"so-what-or-how-to-make-films-with-words-paperback-2","title":"So What, or How to Make Films with Words - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAlexander García Düttmann\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA series of philosophical meditations on the nature of aesthetics across a wide array of filmmaking styles\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying \u003ci\u003eSo What\u003c\/i\u003e, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to \u003ci\u003emake\u003c\/i\u003e their films as if they did not precede his text, capturing their idea and experience. \u003cp\u003e\u003c\/p\u003e If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book's chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. \u003ci\u003eSo What\u003c\/i\u003e is a practical exercise in \"making films with words,\" inviting readers to draw out insights from its conceptual play. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eSo What\u003c\/i\u003e compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eALEXANDER GARCÍA DÜTTMANN\u003c\/b\u003e teaches philosophy at Berlin University of the Arts. His many books include \u003ci\u003eVisconti: Insights into Flesh and Blood\u003c\/i\u003e, \u003ci\u003eBetween Cultures: Tensions in the Struggle for Recognition\u003c\/i\u003e, \u003ci\u003eWhat Is Contemporary Art?\u003c\/i\u003e, and most recently, \u003ci\u003e In Praise of Youth\u003c\/i\u003e (\u003ci\u003eLob der Jugend\u003c\/i\u003e) and \u003ci\u003eThe Hopeless\u003c\/i\u003e (\u003ci\u003eDie Hoffnungslosen\u003c\/i\u003e).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 200\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.55 x 8.9 x 5.91 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 15, 2023\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47576778211549,"sku":"9780810145351","price":52.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/9867\/8237\/files\/d014R3VGaXpQUGs3dnk1OVpKSkxhZz09_c0c2890e-1cdc-4b3f-9609-f2f35ba2a7f0.webp?v=1773467630","url":"https:\/\/handfulofbooks.com\/products\/so-what-or-how-to-make-films-with-words-paperback-2","provider":"Handful of Books","version":"1.0","type":"link"}