{"product_id":"levinas-and-the-cinema-of-redemption-time-ethics-and-the-feminine-paperback","title":"Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSam Girgus\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the \"ontological adventure\" of immediate experience and the \"ethical adventure\" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the \"cinema of redemption\" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's \u003ci\u003eMr. Smith Goes to Washington\u003c\/i\u003e (1939), Federico Fellini's \u003ci\u003eLa dolce vita\u003c\/i\u003e (1959), Michelangelo Antonioni's \u003ci\u003eL'avventura\u003c\/i\u003e (1960), John Huston's \u003ci\u003eThe Misfits\u003c\/i\u003e (1961), and Philip Kaufman's \u003ci\u003eThe Unbearable Lightness of Being\u003c\/i\u003e (1988).\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eSam B. Girgus is professor of English at Vanderbilt University and author of \u003ci\u003eHollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and Kazan\u003c\/i\u003e; \u003ci\u003eThe Films of Woody Allen\u003c\/i\u003e; \u003ci\u003eAmerica on Film: Modernism, Documentary, and a Changing America\u003c\/i\u003e; \u003ci\u003eDesire and the Political Unconscious in American Literature: Eros and Ideology\u003c\/i\u003e; \u003ci\u003eThe New Covenant: Jewish Writers and the American Idea\u003c\/i\u003e; and \u003ci\u003eThe Law of the Heart: Individualism and the Modern Self in American Literature\u003c\/i\u003e. A recipient of the Rockefeller Humanities Fellowship and other scholarly and teaching awards, he has lectured and taught extensively in universities throughout America and the world.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 9.4 x 5.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 13, 2010\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47893033451741,"sku":"9780231147651","price":73.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/9867\/8237\/files\/hQAHxrQous9780231147651.webp?v=1778194959","url":"https:\/\/handfulofbooks.com\/products\/levinas-and-the-cinema-of-redemption-time-ethics-and-the-feminine-paperback","provider":"Handful of Books","version":"1.0","type":"link"}